I could have stayed in my office, but the risk of getting interrupted or distracted by the duties of my job (of which writing is one, I keep telling myself) was too high. So, I packed a yellow pad, a pen, my coffee mug, and I set out for the library. I was pleased to find it almost empty at 10 o'clock in the morning, and I had my choice of tables on the second floor. I chose one near to a bank of windows but still in the shade. The sunlight outside radiated that golden quality of fall, and I was able to witness the colors of the season from where I sat.
I wrote.
It was great, and it reminded me of how I used to write when I was in grad school. Escaping my house, I would often drive over to hospitals or libraries so I could concentrate away from the newborn. The technique still works today. I began the next scene that advances my revision work from the other day. See this post. I started and stopped a few times to let my hand rest, and this is where the library comes into play.
In order to stretch my hand, my mind, and my body, I got up out of my seat and began walking the aisles. I found myself in "American Literature 1961-Current Shelved by Author's Last Name." This is my section right here and it felt great to read the spines, to finger the individual volumes, and to read a page here and a snippet there. I wound up returning to my seat with Charles Bukowski's Factotum in hand.
I opened it to find tiny bursts of chapters. Chapters a paragraph long, a chapter dedicated to a setting, a tiny observation, and it inspired me. I loved the idea that a chapter could be a tiny unit of measurement and not a volume, a catalog of thoughts. This got me writing again.
His language, the poetry of his lines, got me inspired and I set back to writing my own manuscript. It was a mini-lesson in craft in the middle of a writing session.
A dear friend and fellow writer, Katey Schultz, wrote about "writing through it" on her own blog the other day, and her lesson seemed somewhat appropriate to how I was using the library. Without the immediate access of writing friends, mentors, or advisers, how does the writer sustain his/her focus/energy/ambition for a project? Sometimes the answer is another writer's work. And where do we find other writers' works? That's right, ladies and gentlemen, in the library. What a lovely free resource!